Interview with Alexis Coe, Author of Alice + Freda Forever

I’d like to say that I got to sit down with Alexis in a lovely little diner somewhere, drinking coffee as we chatted about vicarious menstruation and murder, but alas, I only got to email her my bizarre questions, but the answers are fabulous, and I appreciate her being a good sport about my admitted weirdness. Here we go!Alice+FredaForever_9781936976607 Alexis Coe_Alice and Freda Forever_1Julie: One of my favorite details in Alice + Freda Forever was that Sarah Bernhardt was trying to get an opera written about the couple–I think that would have been amazing.  Do you think your book might spawn a movie which will then become a musical which will then become a movie musical? And who would you cast as Alice and Freda? 

Alexis: I like this question so much—you clearly read the endnotes! Fortunately, my literary agent is at William Morris Endeavor in New York, and their LA office is handling the creative rights, so we might just see AFF the movie->musical->movie musical. I’ve only seen one of her movies (“Hanna”), but I can see Saoirse Ronan playing a wild-eyed Alice. I’ve got no idea who would play Freda, but I imagine she’d be very pretty and flirtatious. I’ve been on a serious “Good Wife” kick, so I picture Julianna Margulies as Alice’s mother, Isabella Mitchell.

Julie: I’m now fascinated by vicarious menstruation and erotomania. Are there any other esoteric and/or antiquated diseases that you are particularly interested in?

Alexis: This is going to seem morbid, in addition to writing a book that opens with a gruesome murder, but when I worked at the NYPL I spent way too long perusing a log book about causes of death in the 1820s. That’s where I was first introduced to “bad blood,” which is syphilis, and the many ways people died by horses hooves. They were most often kicked in the face, but children crossing the street were trampled by buggies, too. Memphis had a series of Yellow Fever outbreaks that devastated the city, and there were reports of “black vomit,” which was vomiting old black blood.

Julie: The story of Alice and Freda has been compared to the Parker-Hulme case in New Zealand (upon which Heavenly Creatures was based). What do you make of these comparisons? Are they apt?

Alexis: Although Alice was never tried for murder, I can see how the Mitchell-Ward case reminds some readers of the Parker-Hulme case. In both instances, media coverage was sensational, and same-sex love was linked to insanity. Issues of morality were at the forefront. But from there, I think their stories and lives were quite different.

Julie: As a librarian I love how well-researched your book is, with great citations and list of sources. Once you’ve researched a topic, how do you transition into writing the narrative so its engaging to readers while still adhering to the facts?

Alexis: Thank you! That’s high praise from a librarian. I write a very dry first draft in order to lay a solid foundation. It could probably pass for a graduate thesis, and is by far the most agonizing part. I then rewrite as often as I can. If I take a break to walk my dog, I think about what I’m writing, where I’ve been and where I need to go. I worry. I get upset. I laugh. I get angry. That’s when I know the historical actors have become real people to me, and that shows in the writing. If I’ve got a lot of time, which almost never happens, I’ll try to take a few days away from the project. That’s the ultimate luxury.

Julie: I loved Alice + Freda Forever so much, I’m already curious about what your next book might be. As a farmer’s daughter I’m hoping it might come from one of your Modern Farmer articles. Can you tell us anything about possible future books?

Alexis: You’re so kind! I know what you mean. When I finish articles, I often think, this should be a book! People need to know about this! Alas, saying that and starting the process of researching is quite different. There have been a lot of ideas that I thought about often, bemoaning how little time I had to explore them, and then, when I finally do, they never get past the first day of research. As far as the next book, I’ve been researching an economist who had been blacklisted by McCarthy, but then AFF came out, and it has taken up all my time since October 7th. I’m still the Toast’s history columnist, so you can find me there, and check out my Author Facebook page or twitter for the latest. By the time this goes up, Vice may have posted a personal essay I wrote about AFF.

Thanks, Alexis! When that essay goes live, I will link to it here.

The Cockroach Approach: Doughnuts, an interlude

I posted this quote by John Green on my facebook timeline the other day:

“Adult librarians are like lazy bakers: their patrons want a jelly doughnut, so they give them a jelly doughnut. Children’s librarians are ambitious bakers: ‘You like the jelly doughnut? I’ll get you a jelly doughnut. But you should try my cruller, too. My cruller is gonna blow your mind, kid.”
― John Green

And seeing as I am friends with many a type of librarian, several adult services librarians I know became really defensive. I can see why. I’m sure there are many adult librarians who offer up crullers, long johns, muffins, and perhaps even hash brownies– but here’s the thing: you’re not seen that way, adult librarians. Your message isn’t being heard. Which is what I’m trying to get at with these posts.

If authors who are library advocates don’t comprehend your value, and other librarians such as myself aren’t sure of what you’re doing, then what are the chances that the public knows?

I’m not trying to anger people, but I am trying to provoke and inspire.

So adult librarians: tell me about your crullers. I dare you.