Have programs throughout the month about writing picture books and board books; novels; and graphic novels. These can be as elaborate or as laid back as you desire:
Use the picture book month site to get program ideas about the importance of picture books. Programs can be for kids, parents or teachers. As a creative part of the workshop, have attendees write and illustrate their own picture books.
Make it an outreach program! Take blank picture books out to schools and talk to students about the parts of a book. Show off stellar examples of endpapers and under jacket surprises. 100 Scope Notes is a great resource for examples of picture books with hidden delights. (I’ve actually done this and it’s a joy.)
Have a display of “how to” books, and encourage patrons to stop by the check out desk to pick up their blank book to create.
Bring in speakers, including writers in all genres for all ages, either in person or via skype.
Have booktalks on exemplary books in each format, then allow for time for patrons to work on their own works.
Have children interview seniors and then have them work together to write the life story of the senior, in any format they choose: picture book bio? Memoir? Graphic memoir? Whatever! You can have anyone interview anyone–5th graders interviewing 8th graders about what middle school is like, daughters interviewing mothers, etc and so forth.
As a NANOWRIMO challenge, have participants try to condense their novel into a 32 page picture book format. I’m sure afterwards they’ll have new respect for the picture book format!
Have patrons return their finished books to a designated location, and send the books off to be cataloged and added to the collection! Kids, teens and adults will delight in coming to the library and finding their book on the shelf. Feel free to have a limited number of books eligible for this treatment, and for a limited amount of time.
The Bare Books site doesn’t have pictures of its books, only drawings, but I’ve used them multiple times and I can vouch that they are solidly constructed, wonderful items. They have better examples on their pinterest, and this blog post also has a great photo of the books in “finished” form.
If you end up doing this program, please drop me a line and let me know how it goes! I’ve only done the outreach version– I’ve love to see how it works out it in different permutations.
I’ve heard it in more than one training and workshop that part of customer service is when you’re faced with an unhappy or even irate patron, you should consider what has happened in their day, their week, their life, up until that very moment, that might be causing their distress. If there is an outburst, it’s very rarely about the fine or the missing item. It’s about the coffee they spilled in their car on their commute, or how their father always yelled at them when they misplaced things, and how once they had to go to school in the snow wearing only sandals because they’d lost their winter boots.
So it goes with those who work in libraries; we all have our own stories, chains of events and people that have created the person we are today. Our stories make us. Our stories are who we are. We share these narratives when appropriate, and listen to the narratives of others when required. (I’ve said before that all library service is made up of stories.)
I’ve heard these stories. My father had a derogatory name for Junior Mints that I won’t repeat. He also told me I could marry any man I wanted, but not a black man, because my father didn’t want any “[mixed] grandbabies.” (My father is no longer a part of my life, for this and many other reasons).
I’ve also heard other stories. My mother told me about her home ec teacher, Mrs. Hill, a woman who my mother greatly admired and adored. Hearing positive feelings for a black person was a revelation for me.
When my little brother was still very little and didn’t know much about the world, he called black people who stopped by our summer farm stand to buy fruit and vegetables “chocolate pudding people.” We watched Alex Haley’s Queen together, and when he asked me about what was happening, I talked to him as honestly and frankly about racism as I could. He listened, and then went off to ponder some more; my mother came in and thanked me for talking to him about it.
Yet once when I was riding the bus and a black man struck up a perfectly pleasant conversation with me about chili recipes (I had a bag full of chili fixings with me, fresh from a trip to the grocery store), I was nervous and uneasy and, while not rude, not very polite, either; and to this day I can still see his expression–a mixture of resignation and anger, perhaps?
I sometimes cry on my way to work if I see a black or brown face in the cars next to me on the road, I hope that they don’t get stopped that day, or any day. I see children in the library and I want to tell them that I see them, that I have stories for them, that their stories are worth listening to.
I’m listening, no matter how much it breaks my heart.
In case you need something to tide you over while you wait for your copy of Reading Unbound to arrive, here are some more quotes about why we need to let kids choose what they read.
We want to help our students fall in love with books in ways that foster a life-long devotion to reading. So what should schools do? We think the implications of our research are manifold, but two seem especially compelling. First, our data make clear that educators should consider interpretive complexity in concert with textual complexity, a centerpiece of the Common Core State Standards. Every text our participants read—from graphic novels to dark fiction to Harry Potter—required sophisticated strategies for entering a story world and absorbing the twists and turns of the plot line and character relationships. All fostered deep intellectual engagement.
Our data also convinced us of the importance of choice. Students should have regular opportunities to behave the way adult readers do and choose their own reading. They know the kinds of texts from which they will take pleasure. At the same time, teachers should expand the possibility of pleasure by introducing students to new books they might not select on their own.“
I love that this quote illustrates the role that “gate-keepers” should have–opening gates rather than closing them. Once a kid has read through everything they could find on their own, teachers and librarians can help them find the hidden treasures that will still meet their needs.
Reading is indeed crucial to success in school and in careers. But we worry that discussions of reading, especially public policy discussions, focus almost exclusively on its utilitarian value. What’s missing is the pleasure readers derive from the reading they do.
Again, people making these policy decisions know very little about children and child development; however, I do believe that Common Core, with its breadth of text types, actually encourages what I believe is important–giving children a wide variety of choices when it comes to what they read. Have you ever had it suggested that novels in verse are better for struggling readers because of the white space and shorter length? Then what about play scripts? White space abounds, it is mostly dialogue, and it very pointedly tells you what you’re seeing–but then again, it’s like a graphic novel without the images, and your imagination needs to fill in the pictures. HOW AWESOME IS THAT?
If I were Queen of the World, I would decree that all students be given the gifts of time and books they want to read throughout their schooling, and all pre-readers would have an adult who would read aloud to them everyday. Through independent reading children gain a wealth of background knowledge about many different things, come to understand story and non-fiction structures, absorb the essentials of English grammar, and continuously expand their vocabularies. Many also remember visually how to spell words. In a nutshell, the habit of reading does as much, if not more, than Direct Instruction and the rigorous demands of the Common Core. All without boring kids to death or persuading them that they’re dumb.
Years ago, I received a phone call from my godson’s mother. She said, “I know you told me to wait, but David is reading Harry Potter on his own.” David was in kindergarten. David read Harry Potter at 5 for the plot. He reread it at 10 for the plot, characters and emotional truths. He reread the entire series repeatedly the summer he was 13, to his mother’s dismay. “Can’t you get him to read something else?!” I didn’t even try.
Yes. The importance of re-reading. I know, I know, there are so many books! But every time you re-read something, you gain something new. It’s magical.
The latest salvo comes from a survey released late last week by Scholastic Corp., a publisher of popular children’s books, which suggests that middle and high school students who have time to read books of their own choosing during the school day are also more likely to read frequently for pleasure.
“For us, choice is key,” said Kyle Good, a spokeswoman for Scholastic. “When you let kids choose the books they want to read, they’ll be voracious readers.”
In the survey, 78 percent of students, who read frequently for fun (at least five days a week), said they had time to read a book of choice during the school day. By contrast, 24 percent of infrequent readers — those who read for fun less than one day a week — said they had time to read a book of choice during the school day.
In the most recent edition of Cover to Cover by K.T. Horning, there are no early childhood, middle grade, or ya distinctions in books for children. Encompassing fiction and nonfiction, the breakdown is:
Picture books (including board books)
Readers/Beginning Readers/Easy Readers
That’s it. We have those formats, and within those formats, every genre is covered, for ages birth to teen. (Oh, but wait–where should graphic novels go? I’d include them with chapter books, honestly; the art in a graphic novel serves as a concurrent visual text, in my opinion. Or, heck, let’s put them in with picture books, maybe? I don’t have all the answers, clearly.)
In my ideal, imaginary library, this is how it would be– those formats would be organized, so kids who are being read to can find board and picture books, pre-readers can find the books they need, transitional readers the same, and then chapter books for independent readers who can make their own choices (with guidance from their parent/guardian and, ideally, a librarian). There would be a call number, and no other designations– no guided reading, or any of that other stuff. Just books and excellent staff and seemingly limitless choices. (I’m getting chills just writing about it.)
Does a library like this exist? Probably not. Although my personal library is like this. I’m sure everyone’s personal library is like this. So why do we insist that youth follow dozens of arbitrary guidelines when it comes to the stories they get to read?
Anyway. This summer I tried something different with our suggested reading book lists, in an attempt to create a small scale version of this literary utopia. I wanted to move away from parents just grabbing the list of their child’s grade, and slavishly following those suggestions we’d made, with the best of intentions. Instead of lists covering 2 grade levels, as had been the practice in the past, I had:
Pre-readers (babies-Kindergarten): includes board and picture books, all genres
Beginning readers (K-3rd): easy/beginning readers, all genres
Transitional Third Grade reads: transitional chapter books, all genres
Third Grade and Up: picture, beginning, transitional, and chapter books, all genres
Now, there isn’t just one Third Grade and Up list, oh no. There were several, with titles like:
Smile Diary: books for Wimpy Kid and Telgameier Fans
Murder and Mayhem: stories that are scary and thrilling
WONDERing what to read next: Wonder readalikes
Full STEAM ahead: books for kids who like to tinker and create
Myths, Magic and More: fantasy, science fiction, and the just plain strange
Game On: books for gamers
Tell Me A Story: books about the magic of storytelling
That’s Funny: Books to make you laugh
Can You Believe It?: Books to make you see the world in a different way
The books were listed not in alphabetical order, but rather in order of literary and thematic complexity.
To explain, each list had an introduction like this:
3rd Grade and Up
Murder and Mayhem: stories that are scary and thrilling!
If you enjoy scary stories, thrilling tales of true crime, forensic science, and the unexplained, then these books are for you!
Read from the beginning of the list when you’re short on time but still want a good story. Read from the end of the list when you’re up for a more textually and thematically challenging experience.
Not every book on every list will be right for your child. If you have questions about any title, please see [library] staff for guidance.
Third grade and up meant just that: independent readers from third to twelfth grades (or beyond! Mom and Dad, you can read these books too!) could read these books, all of which were chosen from our children’s department collection. I wanted to do this so that an older student who wasn’t reading at grade level wouldn’t be stigmatized by reading from a list that was clearly marked for a younger age. By having only a lower limit, rather than a lower and upper, the list was more open to more readers. And by keeping the selections limited to our children’s department, we were still helping parents make appropriate choices for their child (advocate for freedom that I am, I still want to make things easier for parents, so I’m not going to hand them a third grade and up list with really intense themes and situations).
Oh, and another cool thing–the books on these lists were jointly nominated by my library staff as well as school librarians from our main school district, and they used these lists as their district’s recommended summer reading. How great is that? School librarians got to suggest awesome books that they loved, while I did all the grunt work of collating and organizing them, and our wonderful graphics department made them into beautiful brochures.
Ultimately, I wanted these lists to provide some guidance, while also encouraging kids and parents to use library staff to help them find the best book for them.
For teens we had 7th grade and up lists, with items exclusively from the teen collection. (Now, ideally I’d want to include picture and other books, but with display and cataloging restraints, this just wasn’t possible; and, again, these teens could also enjoy all the books on the third grade and up lists.)
For teens, our themes were:
Social Justice: books about making the world a better place
Not Okay: readalikes for The Fault in Our Stars
Get Real: Realistic fiction and memoirs
Myths, Magic and More: Fantasy, sci-fi, and speculative fiction
I have to say, the impetus for this project was the bookReading Unbound: Why Kids Need to Read What They Want—and Why We Should Let Them. We actually recommended this title to parents in our lists, and amazingly, the book got checked out. How many people actually read it, I don’t know, but it just goes to show that if you make something available, people will take advantage.
I was concerned about confusion and push back–would parents get on board? Would they understand it? Was I creating a problem where there wasn’t one?
I don’t think so. I actually think these lists have been doing what they are meant to do–broaden the scope of what kids read, and providing guidance while also encouraging choice.
Now, summer’s not over, so the verdict isn’t completely in yet, but so far I’m going to call this a success. Books are still getting checked out at a rapid clip, I’ve heard people express delight at the themes, and so far no one has been upset that a book about the Lizzie Borden case was on the “Murder and Mayhem” list (really, with a title like that, I was suspecting parents of sensitive kids would know to steer clear).
What do you think? How do you handle suggested reading/passive reader’s advisory?
My story being done
She gave me for my pains a world of sighs.
She swore, in faith, ’twas strange, ’twas passing strange,
‘Twas pitiful, ’twas wondrous pitiful. – Othello, Act 1, Scene 3
The stories of Othello’s youth moved Desdemona to love; they intrigued her, inspired her, incited her to action and emotion. The best stories do this to us–provoke strong response, either positive or negative. Laughter, or tears, or fists clenched in rage.
My American Literature professor once related the story that when he first read As I Lay Dying, this chapter incited him to throw the book against a wall and leave it there for nearly a week:
This is the power of literature, of art, of story.
I finally got my hands on a copy of A Birthday Cake for George Washington, and read it several times over. It was a disorienting experience; not quite on the level of “My mother is a fish” but I was perturbed nonetheless–yet only mildly so. I was sad that this story had fallen so short of the work that its subject truly deserved.
The work is not completely without merit. I found the text to be more successful on its own, divorced of the images. The text at least hinted at the tension there must have been between Hercules and his owner: how his stern expression became a smile when Martha Washington entered the kitchen, and his tone of voice changed as well; how everyone held their breath when the cake was taken upstairs; how Delia’s heart hammered in her chest when George Washington came down after the cake was eaten. After all, if the honey experiment had failed, wouldn’t there have been a punishment for Hercules? But this is never mentioned–only the gifts of fine clothes and theater tickets. Their lack of freedom is certainly unspoken, both in the text and images.
The images, I think, went too far in the direction of trying to depict the slaves as “happy” and “prideful.” There was none of the nuance of the text, where tension could be inferred from word choice and description. In every image and spread, everyone’s expression is happy or, at least, neutral, except for perhaps Martha’s expression of concern early in the book.
I still think Hercules’ is a story that should be told, but it deserves to be told in such a way that we are left aching from how passing strange and wondrous pitiful it was for such a talented man to have and achieve so much, while being denied the only thing he truly desired–his freedom.
In my post Where Do The Teens Go? I posited a Youth Services Department which is formed around a core staff of four two-person teams. Ideally they would all be full time, but that might vary depending on the size of your community and the number of schools you serve. Certainly some of the positions could blend, depending on the interests and skill sets of the people you hire. But I’m pretty adamant that positions be either devoted to in-library work or devoted to outreach, with collaboration led by the appropriate lead. This is because outreach is a full-time job, or if it’s only part-time, it should be the primary focus of the staff member.
Why so much outreach? I’ve always been a firm believer in outreach, because I’ve seen it be successful from both sides of the equation. I’ve been the in-library person benefiting from excellent outreach efforts, and I’ve also been the outreach person who brings people into the library and acts as a recognized face from one place (school) to another (the library).
In my experience, here are all the things a person in any outreach position must do, and if you don’t think these duties deserve a full-time staff member, or at least a staff member dedicated to it, I don’t even know:
Reaching out–writing emails and making phone calls can take up a lot of your time, and if you have too many other duties (desk, collection development, in house programs) you’re going to play a lot of phone tag and a lot of email threads are going to get buried in the process.
Making connections–I’ve come up with a lot of great ideas just hanging out and chatting with teachers during a program break or while having lunch with them in the staff room during a day of multiple book talks. Making the time to just chat is very important, and often overlooked when people consider outreach positions.
Researching community partners–like you research a company before you apply for a job, research potential partners so you can propose projects and programs that meet their needs
Booking visits–you need to check your calendar, check everything else, offer times, accept counter-offers, and be prepared for changes. If you have your outreach person staffing a desk for fifty percent of their work time, good luck. You’re setting them up for failure.
Tapping appropriate collaborators from the community and your own staff–I’m not great at everything (I know, shocker!) so when certain events come up on my radar, I’ll often reach out to my ever-widening network and see if I can’t collaborate and make the experience that much better for the entity I’m working with.
Being in the library– yes, I just said you’re setting your staff up for failure, but only if you take up too much of their time with duties other than outreach. Having some desk time, and helping with some in-library programs, is great for an outreach person, because the people they see in the community will be really excited to see them in the library. Countless times I’ve been on the reference desk and kids have walked by, staring at me wide-eyed, and then they’ll finally remember why they know me and yell, “You came to my school!” I once even had a child formally introduce me to his parent, by saying, “Dad, this is my librarian who comes to my school.” We shook hands and then I died.
Essentially, and to vastly simplify (for the sake of a Hamilton reference), outreach staff are the Hamiltons of the library, and in-library staff are the Burrs.
You see, outreach staff should be constantly (non-stop?) going out, talking, telling everyone about the library and what it has and what it can do, and yes, sometimes they should talk less and smile more, so they can learn from their community partners.
On the other hand, in-library staff can be a little more laid back–they can wait for users to come in, after they’ve been charmed by the outgoing Hamilton approach.
While both approaches can yield results, neither is as successful as when they both work together–which means no one in the library has to throw away their shot.
Where do the teens go? (saxophone solo) Where do the teens go?
I’ve long had a belief that service and programs in the public library, especially Youth Services (if you define Youth Services as 0-18), is a conveyor belt of sorts. We start with children in lapsit storytime, and our ultimate goal should be to create life-long library users who stay with us well into young adulthood.
I think that most public libraries do a pretty good job of getting kids from storytime to elementary programming, but start to lose those same kids during middle school. In my experience, middle school is rarely anyone’s favorite group or specialty. They’re hard to work with. They’re like toddlers, but bigger, and with more hormones. They’re trying on different personalities from day to day, and again, like toddlers, like to say no and push boundaries.
But you don’t have to (just) take my word for it!
The emergence of the middle school movement in the 1960s represented a milestone in the history of Human Development Discourse. This movement recognized that young adolescents are not simply older elementary school students nor younger high school students, but that there are dramatic changes that occur during this time of life requiring a radically different and unique approach to education. Middle school educators understood that the biological event of puberty fundamentally disrupts the relatively smooth development of the elementary school years and has a profound impact upon the cognitive, social, and emotional lives of young teens. In line with this important insight, they saw the need for the provision of special instructional, curricular, and administrative changes in the way that education takes place for kids in early adolescence. Among those changes were the establishment of a mentor relationship between teacher and student, the creation of small communities of learners, and the implementation of a flexible interdisciplinary curriculum that encourages active and personalized learning. (emphasis added)
I argue that middle school students require a unique approach to library programs, spaces, and services. Librarians for the middle school set can, and do, apply these same principles–a mentor relationship, small communities of learners, programming to appeal to interdisciplinary interests and encourage personalized learning.
Yet many libraries consider “Teen Services” 6th-12th grade, which is (in my opinion) a ridiculous age spread. A sixth grader has as much in common with a 12th grader as a baby does with a 5th grader. But so many libraries wonder why they are grappling with the question, “Where are the teens?” Can you imagine anyone being happy with your programs if you had lapsit lego time, or booktalked board books to a fourth grader? No! Then why do we do this disservice to our varied teen audiences?
But this approach doesn’t work for older teens who are in high school, which is where the 6th-12th “teen” melting pot really becomes sticky. 9th-12th graders are more firmly aware of who they are and what they want, and they have an increasing amount of autonomy.
By high school, youth are largely independent, making their own decisions about how to spend their time and exercising their increasing freedom. They are starting to think about what will come next for them postgraduation, and many have developed interests that they can pursue in youth programs. As a result, high school programs’ efforts to retain youth are different from those of middle school programs, as a provider acknowledged:
While librarian positions for early childhood have become more targeted–many libraries have a staff person in charge of early literacy programming, which is sometimes held by someone with a master’s in early childhood rather than an MLIS–and programs and materials for the elementary set have never been lacking, the expectation that one (or no!) teen librarian or a youth librarian who is interested in teens can adequately serve the entire population of sixth to twelfth graders in any one community is a bar set impossibly high.
(A lengthy aside, that perhaps deserves its own post: Serving audiences by age groupings is a popular model in libraries, and while it is a fine model, we must never forget that within any age group–from middle schoolers to senior citizens–there is a diverse range of interests and abilities, and when we program and develop collections, we need to hone in even further– twenty-something tech geeks are not interested in the same programs and resources as twenty-something organic backyard farmers. While age groupings can be a starting point, don’t forget to dig deeper.)
This also ties in to the discussion about where the Teen Librarian/staff should exist within the library ecosystem. In my experience, staff for teens are either part of Adult Services or Youth Services. (Although, sadly, sometimes there is no staff at all explicitly devoted to teen services, but just a children’s librarian or adult librarian with an interest in programming and/or literature for teens.) Both placement options have benefits and drawbacks.
I think in terms of collections, having teen books–and in this article, teen books are aimed at 9th grade and older–closer to the adult collection makes more sense. No self-respecting 16 year old wants to have to go into a children’s section for their reading material.
However, when it comes to programming, I believe that teen staff are better served by the programming know-how and collaborative nature of a youth department.
In my ideal and imaginary library, there would be the following full time positions, in terms of teams:
Middle School Team
Middle School Librarian (5th or 6th-8th, depending on where local middle schools put 5th grade; partners with Elementary staff for 5th grade)
Middle school outreach librarian (5th or 6th-8th grade, partners with Elementary staff for 5th grade)
High School Team
High School Librarian (9th-12th, but collaborates with Middle School staff for 7th/8th grades)
High School outreach librarian (9th to 12th, but again collaborates with Middle School Staff for 7th/8th grades)
Early Literacy Team
Early literacy librarian (0-3rd grade, partners with Elementary staff for 3rd grade, and with High School staff to provide services to teen moms/parents)
Early literacy outreach (0-3rd grade,partners with Elementary staff for 3rd grade, and with High School staff to provide services to teen moms/parents)
Elementary librarian (3rd-5th, partners with both Early Literacy librarians for 3rd grade programming, and Elementary outreach librarian for 4th/5th)
Elementary outreach librarian (3rd-5th, again partners with both Early Literacy librarians for 3rd grade, and Elementary librarian for 4th/5th)
Further, the Adult Department would have a Young Adult librarian for 12th grade to early post college, and they’d collaborate with the High School Team.
Why does the Early Literacy team go up to third grade? Because early childhood is defined as such; when you are certified to teach Early Childhood, it goes up to 3rd grade/eight years old. Further, 3rd grade is typically a fraught time for emerging readers, and they can often use the support and skills provided by targeted early literacy programming.
I’ve lovingly collected several articles and posts for you about this very subject. Go forth, read, and learn.
I’ve noticed a disturbing trend in public facebook groups dedicated to ostensibly professional purposes for librarians. It’s only happened once or twice (that I’ve noticed, and admittedly I can’t read every post in all the groups I peruse) but it’s been often enough and egregious enough to get me back on my blogging soap box.
It goes like this: someone will pose a problem for which they seek advice or an answer, and many people will offer this needed advice. Then, somewhere in the comments, information is leaked–the name of a library. The date or time of the situation. And, recently, a patron’s first name, coupled with many specific, identifying factors. Like this:
If I knew that library, those librarians, and that person’s information, I know too much. I can’t un-know it, either. The situation I am most distressed by involves a patron who possibly has developmental delays. The tone used in the discussion was pretty disparaging.
I took a screen shot of it, which I won’t post or use. But it’s that easy. Your manager or HR department or the father of that patron could do the same thing just as easily. Most of these groups are public, and what many people don’t realize is that if your settings aren’t quite right, people can see these group posts or your comments in their own feed.
Listen: working in a library is tough. We need advice, support, a place to vent. But we also owe it to ourselves and our patrons to respect their privacy. I was heartbroken when, after initially tweeting about this nagging issue, a twitter friend of mine shyly spoke up, voicing that she sometimes worried about gossip or judgment from librarians or library staff.
Do I want to impede conversation and stop lonely librarians from getting help and support? Of course not. But I do want us to maintain our ethical integrity, and protect what’s worth protecting.
So what do we do? Not talk about these issues? No. I think there’s a way to do it without naming names or giving away too many details.
Here’s my strategy:
Tighten up. Have a small, private, trusted personal learning network that you can complain, grouse, and bitch to. A group that will hold your confidence. Your most trusted inner circle. Everyone should have this. Even here, though, don’t name names. Never name names.
Obfuscate. I get this strategy from Car Talk, when they would change puzzler details to make them more difficult to solve, and therefore more of a challenge. Do this with your library anecdotes and queries. Change the details to your scenario just enough so that you’ll still get appropriate advice, but no one will be able to figure out exactly when, where, or how this situation happened. Change names-all the kids in my stories are either Billy or Suzie, and those are usually the only details you’ll get about them.
Wait. Is it a pressing, time sensitive issue? Then maybe talk to a colleague in real life instead, or your manager, or your smaller, private network first. After some time has passed, you can get more input from a broader audience (but you still must obfuscate even after waiting).
I’m passionate and uncompromising about this subject because I am a beast when it comes to ethical behavior (in libraries and in life), but I also screwed this up very badly in my youth, and know how much damage it can do to all parties involved.
When I was in college, I worked (briefly) in the health center, as assistant to the primary counselor. I was held to utmost privacy standards. I was not to talk about anything I saw or heard in the office. I did not fully understand this, and one night I related a story to my housemates about someone I’d witnessed having a severe mental crisis–he’d been yelling, throwing magazines, crying. I didn’t name names, though, so I thought it was okay. A college staff member happened to be visiting my housing that evening, and heard my story, and reported me to my boss. I was called on the carpet, and severely reprimanded, but I was given another chance, because I was seventeen and didn’t know what the hell I was doing. My boss made it clear to me how hurtful it would be if this student in crisis, pained and vulnerable, later found out that other people were discussing gossiping about his private matters. I considered how much I disliked being talked about behind my back, especially about issues I had no control over, and I told her I now fully understood the policy, and would do better going forward.
I think of that story each time I read another post where patrons are clearly identified in everything but name, and sometimes by name as well. That kind of sharing doesn’t just hurt the person in the story, it hurts the teller, too. It might be satisfying in the moment to vent or cast aspersion, but in the long run–if your boss finds out, or your library board, or the patron–that satisfaction will be cold comfort.
I’ve just started a new “stop the summer slide” session of Beginning Reader Storytime, the first time I’ve presented this program at my new library (it’s still new to me, really, even after almost two years here). For this community, I made this program drop-in, and the ages are entering K to entering 2nd grade in the fall. Here’s the plan for week one ( I am pretty sure that I am going to be able to work in alligators for all five of the sessions I am presenting, so my alligator puppet will be the consistent mascot):
Opening Routine This is the same routine I use for all storytimes, babies through about second grade.
I’m so glad (I really need to record this)
Book: Hooray for Amanda and her Alligator!
This book is perfect for this age group. It is divided into six and a half short chapters, which is a great stepping stone for the early chapter books many of these kids will be reading soon.
Song: “Alligator Pie”
I use Hugh Hanley’s version of this song, which includes a brief introduction for kids to “get the rhythm”. (an aside: If you don’t already own all of Hugh’s CD and book sets, why not? Do you hate being good at storytime? No? Then order them, please; ideally two sets, one for professional use and one set to circulate.)
Book: I’d Really Like to Eat a Child (The first review there on goodreads is GOLDEN.) Yes, this book is about a little crocodile* named Achillles who wants to eat a child. But he doesn’t. But even if he did, most kids aren’t bothered. My group joined in on the “eat a CHILD” part with great enthusiasm.
Song: “Five little monkeys swinging in a tree”
After the previous book, I said I had an animal friend who would like to meet them. They pretty quickly guessed it was an alligator. I told the kids he was hungry, and could they guess what he ate? “Children??” they asked. Oh, no, no, absolutely not–I would never be allowed to bring a child eating alligator to work. This alligator loved to eat MONKEYS. Five was the perfect number.
Book: There’s an alligator under my bed
This book is a classic for a reason. The rhythm is perfect and the note that the kid leaves for his dad at the end is a perfect example of emerging writing.
If I had thought of it, I should have had some nonfiction on hand to talk about what alligators REALLY eat, because I am pretty sure it’s not cookies and vegetables (or children or monkeys, for that matter). You live, you learn.
Activity: A art—younger kids can glue down the letter and add to their picture, older kids can write a story.
Ellison die As
Markers or crayons
This is a super easy art activity/craft. The kids enjoyed making their As into alligators, people, etc.
While this program is very similar to the original incarnation, I did make adjustments for my new community (drop-in, parent not required), and I think for the future sessions I will tweak it further still, and work on some higher level literacy skills than I did for this first one. Overall I felt good about it, and the kids that attended had a good time and enjoyed the stories, which is really the primary goal.
*Crocodiles, alligators, I know they are different, but…whatever.
In addition to inspiring big and awesome things, I’m pleased that my post articulated for a lot of librarians a feeling that they had been wrestling with for a long time, but could never quite express–a feeling that librarians who work with children and teens aren’t respected, aren’t taken seriously, and aren’t valued. And in the year after writing that post, I realized I wasn’t really talking about ego, I was talking about self-worth.
Many of us struggle with self-worth and self-esteem on a regularly basis, both personally and professionally, constantly feeling that we are falling short. I know I do. I feel guilty about something pretty much every minute of every day–about an email I didn’t answer quickly enough, or how I don’t visit my family enough, or what junk I ate for lunch because I am incapable of packing one, and on and on. When I fall into these spirals of shame and self-blame and awfulness, sometimes the only thing that can snap me out them is a thank you note from a grateful teacher, or a compliment from a coworker about a recent success. Because sometimes no matter how intrinsically and self-motivated I am, or how much I believe deep in my heart that my work is valuable and I am good at it, sometimes you just stop believing that until someone else recognizes it and reminds you of it.
The youth librarianship community has really stepped up in this area (or maybe I’ve just become more mindful of noticing it). Not a day goes by that I don’t see compliments flying on twitter, conversations full of idea sharing, heart felt “thank yous” and pats on the back. And I see more of us reaching out into different areas of the profession, staking a claim in the worlds of tech, letting it be known that we have expertise that is worth listening to.
To that end, let’s keep it going– let’s dig deeper and reach higher. Make sure to take advantage of any local and national awards, and take the opportunity to speak out about your favorite librarian. Even if they don’t win, you can certainly share with him or her what was said–and just the process of nominating someone, thinking deeply and thoughtfully about their contributions to the field, will be a benefit to both you and them.
Beyond Movers and Shakers and I Love My Librarian, I assume most state library associations have awards for librarians, so take a look and see who you can recognize. I know that my state’s awards for librarians are often lacking for nominations, so if you’re in Illinois, I plead with you to submit one. YALSA has an award for excellence in Teen Librarianship, as well as awards recognizing excellent programming. ALSC has the ALSC Distinguished Service Award, but perhaps another award or two could be implemented– youth librarianship is vast.
Are there any opportunities to recognize our fellow librarians that I have missed, especially those that are youth and teen centric? Let me know.
And thank you, dear reader, for being a friend. Next time I see you in person, the cheesecake is on me.