Book Talkin’

(You need to sing the title of this post to the tune of “Jive Talkin’”)

via the new york city public library's flickr page

via the new york city public library’s flickr page

As the school year draws rapidly to a close (seriously, where did it go?) I’ve been reflecting on my first year as a school outreach librarian. I can’t tell you how invigorating it has been to use different skills and get to try new things with a wide variety of audiences. One of my favorite programs this year was all of the booktalks I did for middle schoolers (6th-8th grade) and teachers. In my previous six years as a librarian, I had done very few book talks. It was something I really wanted to do, but it just never happened in previous positions.

I was extremely lucky that I started out this school year being invited to book talk first to two groups of teachers, one elementary and one middle school. After getting to see me and my colleague book talk, teachers had a sense of who I was, how I behaved, and liked me enough to want to have me get up in front of their students. This was a great break for me, and once one class had me and my coworker in, all of the rest of them wanted us, too.

This year I averaged about two book talks a month, usually spending an entire school day (8 a.m.-2 p.m.) talking to multiple classes. Often I was solo, but several times I was lucky enough to be joined by members of our teen staff. While I can do these book talks alone, six hours of booktalking is a long time, and even with a partner I’m exhausted by the end of the day. I vastly prefer booktalking as a team for two major reasons (other than the fact that it helps to save your voice):

1) Variety. With two readers sharing books, the kids will get a wider variety than from one person alone. While I am very careful to select a variety of books, there are certain genres and topics I just can’t muster much enthusiasm for. I can fake it, sure, but why do that when a coworker is just nuts about the books I’m lukewarm about? While I’m pretty good at selling any book, kids can tell the difference between my genuine enthusiasm and the enthusiasm I put on for their sake.

2) Attachment Librarianing. This is something I carried over from my preschool teaching days, and I think it really applies to librarianship. Kids and teens are all unique, and not every personality is going to have a great fit with every kid or teen out there. For example, I quickly bond with shy, nerdy, awkward kids and teens (I try to find the Whovians in every middle school class as fast as I can). Other kids like me just fine, and I can and love to help everyone, but the geeky kids are more likely to seek me out and will get better recommendations from me, just because we’re so simpatico. With more staff available, more kids are likely to find the librarian whose style and personality speaks to them, which equals better service.

For me, booktalks are a lot like storytimes for older kids. While I don’t reveal endings or major plot points when I book talk, I do tell a story to get kids invested and interested. A lot of times I will use the theme of a novel or a hook from a nonfiction title to riff for a while. Just call me the wholesome Richard Pryor of librarianship. For example, when I booktalk Fourmile by Watt Key, I spend a lot of time talking with kids about PTSD, the stigma of mental illness in our culture, how we treat our soldiers, and why so many books for kids feature dead dogs (seriously!). When I talk about Almost Astronauts, I tell them the anecdote about Jerrie Cobb shattering all isolation booth records (NINE HOURS AND FORTY MINUTES Y’ALL), yet never getting the chance to be an astronaut. From there, I talk a bit about how women are seen in our culture and how we are treated.

My style is a little unconventional, I suppose, but it works for me, and it works for many of the kids I booktalk to. And that’s the important thing, I think–is to find your own personal style, your voice. That’s what will make your book talks exciting and get the kids interested in reading the books you’re pushing.

And what books do I push? It depends. If a teacher is working on a genre study, I’ll bring titles in that genre. Often I like to do a mixture of fiction and nonfiction, new books and backlist. I try to have books at a wide variety of reading levels with a variety of appeal factors. Most of all, I strive to bring books that I’ve read completely and have a component that I am super, super excited about. Even if I didn’t personally love the book, if there’s a crazy character or fascinating setting that I can see kids being interested in, I’ll definitely book talk that sucker.

So that’s just a little bit about my new favorite professional responsibility. What about you–do you book talk? What’s your style? Any favorite titles?

Storytime Opera

even cats can sing!

even cats can sing! illustration by Kyle Harter http://www.kyleharterart.com

Singing is one of those things that every human can do, but many avoid doing because they think they’re not good at it or that they have bad voices. There is no such thing as a bad voice. There are voices that people prefer to hear, but breaking things down in to good and bad–especially when you’re working with children–doesn’t do anyone any good.

Now I judge the heck out of singers. When people tell me I should audition for America’s X Factor Yodel Idol, or some other such nonsense, I want to cry. Those people aren’t singers. I don’t know what they’re doing–hollering slightly out of time, maybe, or gyrating while they emit sound waves–but that, to me, is not singing.

And there’s definitely a difference between singing on a stage, for people who might have paid to hear you sing, and singing because it feels good and it makes you happy. Ideally those singers on stage are happy when they sing, but not always.

But anyway. Singing in storytime is amazing. Singing and music can bring people together in a way unlike any other art. We know, anecdotally, that rhythm soothes and teaches—that’s why we sing nursery rhymes, and rub our baby’s back when she’s trying to fall asleep. That’s why dancing is so revitalizing for many–the rhythm does, indeed, get you. That’s why massage–the rhythmic stroking of our body–is so soothing. Science is also looking into whether or not music and rhythm can actually be used as medicine. I know that if I am having a bad day, or am stressed out, banging out some c&w rhythms on my guitar can have a positive effect on my mood.

Even without all that, singing is one of Every Child Ready to Read’s 5 skills. So there’s every reason for librarians to be singing in storytime, and programs beyond storytime as well (seriously, I played a Bob Dylan song for a group of 7th graders once and it was amazing).

“But I can’t sing!” you cry. Yes, you can, I reply. If you can talk, you can sing.

Listen. Kids don’t care. They are the perfect audience to sing to. They don’t notice if you’re pitchy, or off key. They love the sound, the rhythm, the melody, the movement. If you’re smiling and excited as you’re singing, they will love you. You will be a rock star in the eyes of toddlers.

“But you’re a singer!” you say. “It’s easy for you!”

Well, perhaps. I’m accustomed to singing, and I enjoy it. But listen– singing with kids isn’t the same as playing a set of original weepy folk songs at the coffeeshop. Firstly, I put everything in a higher key for the kids, so their piping voices can sing along more easily. I’m singing slightly above my range in every storytime, and most times my voice will inevitably break a la Peter Brady.

And no one cares. The adults will snicker if I reference Peter Brady, but no one is shocked that it happened. In fact, it sets everyone at ease and gets more people singing.

Further, the trick is to sing. Playing CDs is fine, but there’s something special about the human voice; and if you have chatty storytime parents, I find it’s much harder for them to talk through my earnest singing than it is to talk through a booming CD track. (I think Storytime Katie has written  about this but I couldn’t find the post.)

I also play guitar. Which kids like. But you know, playing basic folk guitar is not that hard. If you want to be Eric Clapton, that’s another thing. But if you want to play three chords and sing “The Wheels on The Bus”, well, that’s within everyone’s reach. And even then, kids don’t care. One time a kid completely undid the tuning on my guitar and I wasn’t able to fix it, but I played “Five Little Monkeys Jumping on the Bed” anyway, and not a single kid noticed. They just jumped their little hearts out. Some of the parents grimaced, but, well, that’s the cost of entertaining children–sometimes you annoy the adults.

So sing in storytime! It will only bring you good things, I promise you.

Other singing in storytime stories:

If you’ve written about singing in storytime, please link in the comments and I will add it to the list!

Make It So

madeit

 

As she so often does,  hit the nail on the head with her post Everything Old is New Again.

I wonder, how many libraries with MAKERSPACES consulted their youth departments before creating this BRAND NEW THING? Because, seriously, been there, done that, have the stained shirt to prove it.

Some of you might argue that maker spaces are more digital, or involve power tools, or whatever. To which I reply, So certain types of making are better than others? Our flannel stories, origami programs, bookmaking and playdough are inferior to flashier, decidedly more masculine forms of making?

Same old story–when women do it, it is easier, lesser, and undervalued. As soon as a dude says it’s cool to print a robot out of plastic, then it’s something.

Which is not to say I don’t like the Maker/DIY movement. Just that…maybe ask for help from people who’ve built their entire careers around it. They might have something to teach  you. And by might, I mean definitely.

speak

I think my “ego” post actually contained within it several separate issues, all of which deserve their own careful looking over. Let’s do that, shall we?

first: speaking and keynotes.

I’ve been to several events where, as one commenter noted, the keynote speaker is someone famous who has just written a (usually awful) children’s book (because any idiot can churn out a book for kids, amirite?) and who blah blahs about how they LOVED libraries when they were kid or love libraries today or something else, then tell us why they just HAD TO TELL THEIR STORY in a MARKETABLE FORM.

Ugh. Gross. Don’t do that. Ever.

I say that both to the famous people in regards to writing children’s books, and to conference organizers who book them. There are so many wonderful authors who are also excellent speakers, why not book one of them?

Or, to be daring, why not book a straight up storyteller? (Ben Haggarty is one of my personal favorites). Instead of forcing your attendees to listen to some smarmy pap about “Go libraries” or “These are tough times, huh?” let them listen to a goddamn plain old good STORY. Of course, the theme will resonate with listeners, because a good storyteller will choose an apt tale, but the listeners will have to work for it. And they will appreciate it all the more that way.

Some of you might be thinking, why should I listen to a story? Because libraries are all about stories. Why do people read books? To read stories. Why do people read e-books? To carry a lot of stories with them in a portable form. Why do people need to create a resume? To tell the story of their work life. Why do people check out DVDs? To watch stories. Why do people create videos? To tell their story in a visual format. Why do people (sometimes, rarely, not often enough) access articles from our databases? To write a paper, or make a presentation, that tells a story. ET CETERA AND SO FORTH.

So libraries are about gaining access to stories, and, more recently, they are an avenue for creating and storing new ones. And shouldn’t we celebrate this fact with every keynote and every conference? This is not to say, of course, that non storytellers can’t tell a good story–it’s just a bit trickier, and that’s what the market has been glutted with in the past few years. I’m just saying…try something different, and see how it goes.

While I myself am well aware that I am not keynote level (I’m slogging along, paying my dues, very happily), off the top of my head I can think of five or six excellent women who work with youth who are at a point in their careers where I think they’d be damn fine keynote speakers. They’ve taught courses at the master’s level, published, and are all around engaging and inspiring. But librarians like that don’t seek the high profile engagements, because they are too busy, you know, being great librarians.

I don’t know how to get this to change. Does it need to come from a management level? Do public library directors and school principals need to push their staff more to engage with the profession on a larger stage? Perhaps. What do you think?

say hi to Miss Sarah

the teen librarian you wish you had (or were)

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I met Sarah Jones (Teen Librarian) via twitter, and I’m happy to say that via the gloriousness of the internet we’ve become real life friends. I’ve been continually amazed by  her efforts whenever she talks about her job on twitter or facebook, and I finally decided that I needed her to tell her story, in her own words, for all my blog readers to see. So, without further ado, here’s a tale of how one teen librarian, through gumption and awesomeness, took her library’s teen programming from pathetic to positively awe inspiring. 

A few months ago I gave a presentation at my state’s annual conference about teen programming.   I submitted the proposal because I recognized that I hadn’t heard anything new about teen or youth services at a conference in a long time, and decided that might mean that I’m an expert.  The presentation went great; it was standing room only, people took notes, and people had so many questions that we ran over our allotted time by quite a bit (and they were GOOD questions, not the kind of questions that come from that ONE person at every conference.  You know who I mean.).

I’ve been a full time teen librarian for a few years now, but the position was new when I started it.  I took over for someone who made a genuine effort but was a youth librarian not only at heart but 4 out of 5 of her work days.  A lot of libraries have that murky position—a staff member who does storytime three days a week but still stays late on Friday to throw a video game night for the local teens.  There were a lot of such librarians at my presentation, great people who WANT to be doing a good job, but who aren’t passionate about teen services, and aren’t sure where to start.  The great news for those librarians is that those of us who come to work each day barely able to believe we got so lucky as to score full time teenbrarian positions are often very, very willing to talk about of successes in excruciating detail, and will encourage you to steal our ideas.

I started my position in the Spring of 2010, which meant I took over an SRP (Summer Reading Program) that someone else had already planned.  I don’t remember many details of how things worked that summer, but my stats show that about 220 teens participated across three buildings.  The next year I burned the thing down and planned my own program from start to finish.  The very simple breakdown:

-read anything you want for ten hours, get a prize

-read anything you want for another ten hours, get another prize and get entered into the grand prize drawing and an invitation to the wrap-up party

-for every hour you read beyond that, you get an entry into a prize drawing for one of 5 or so super awesome other prizes

That’s it!  Super simple!  No dictating what they read or how they read it, or even what quantity they read.  If a special needs teen participates and only reads one book in 20 hours, that’s fine by me and he or she has no reason to be embarrassed, because I don’t even know.  If all they read is online fanfic, they don’t have to worry about figuring out how many pages it would be equivalent to.  It’s all just time.

To keep prizes cheap but also fun and motivational, I go the grab-bag route.  Every grab bag gets a full sized candy bar.  Some grab bags get an additional little something.  Smencils are a hit, and I also throw in things like rubber ducks, weird things I find in the $1 bins at Target, books I have left over from book clubs, really anything works.  A smaller number of bags get a small gift card, usually to Target or Game Stop.  Depending on budget, I might do 15-20 $5 gift cards.  I like to give a few $10 Coldstone gift cards, and then I always throw in one $20 card to a random bag.  They all get stapled shut, and the rule is that they can’t fondle them before they pick.  It’s important that you say fondle so they laugh.  I clearly mark and set aside a set of bags that only contain things that have no nuts and do not have a nut allergen warning, and another set that have no candy at all in case of a diabetic or severely food allergic teen.  Before they pick I ask “any food issues?” and so far it’s worked just fine.

The grand prize is easy.  When you were a teen, what did you want more than anything?  MONEY.  Last year, I gave away 5 $50 Visa gift cards.  Even at 30 I would totally join a summer reading club for a chance at winning fifty bucks!  And I’d likely spend it on the same things the teens do, realistically.

The Above-and-Beyond (that’s what we call the entries that come after they’ve finished the 20 hours) prizes are where I get to have a little fun.  Usually one or two are bigger gift cards for Game Stop or Barnes and Noble or something like that.  And then the other three are based on some theme.  Past themes have been Twilight, The Hunger Games, Manga/Anime, and Art Supplies.  For my Winter Reading program this year I’m making a Nerdfighter basket and a Doctor Who basket, among others.  It’s all about what your teens are into and what you can afford.

I’ve done this program two years in a row now.  That first, sad year when I took over someone else’s program I had 220.  The first year of my own program I had 435.  Last summer I had 647.  It turns out that spending less on incentive prizes in order to give them a chance at winning a BIG AWESOME PRIZE totally works.

There is, of course, more to my success than a prize basket including Hunger Games kneesocks.  Another important thing is that if teens are IN the library, they are more likely to turn in their forms.  So PROGRAM PROGRAM PROGRAM.   The ins and outs of my programs and failures and successes therin would take a whole separate post, but QUANTITY is seriously important.  At our Main library I’ve got something going on each week—often 2 or 3 or 4 things a week.  At each of our two branches I’ve got at least one thing a month throughout the year, and during the summer I try for 2.  I’d love to do more, but I’m the only person who does teen stuff for three buildings, and I have to sit at the reference desk sometimes or the youth department will mutiny.

There is ONE summer program that has to be addressed here though, and that’s the Summer Reading Wrap-Up Party.  While the grand prizes are a huge incentive,  getting the invitation to this party is the big awesome thing that EVERYONE gets.

And the party must be awesome.  This could mean different things for different libraries, but it definitely has to be something you don’t usually do as a program, and if it can be something you don’t usually allow at all, even better.  For me this means the dreaded after-hours program, where the teens get the run of the library after closing.  It also means LASER TAG.  My first summer as the planner of the SRP, I got the crazy idea that there should be laser tag at this event.  I quickly realized the terribleness of the idea of letting them play in the library proper, and I found a place nearby where I  could rent  a giant inflatable laser tag course. Since only about ten kids could play at a time, I had other things set up that were a little less exciting—video games, karaoke,  and lots and lots of pizza.  I made sure when handing out the invites to stress how insanely awesome the party was going to be, and also that I was going to be VERY VERY STRICT about not allowing anyone who didn’t complete the SRP to attend, so if they wanted to bring friends to this party, the friends had better finish the program too.  Guess how many teens came to that party?

…..

115.  Luckily I had roped a LOT of friends into helping supervise, and I’d required registration so I was ready for them.  By then end they were getting a little nutso, but overall it was a great time with no big problems.  As they were leaving, I heard many kids say “I CAN’T WAIT UNTIL NEXT YEAR!” so I knew I was going to have to bring it in 2012.

And bring it I did.  A little thing happened called The Hunger Games, perhaps you’ve heard of it?  One morning I had one of those great “in the shower” ideas that I should make it a Hunger Games themed party—I could still have laser tag, because that TOTALLY makes sense!  It would be the arena, where they’d kill each other!  On the invite I encouraged the teens to cosplay and held a costume contest.  I had many stations with HG games I found online so that they would keep busy while waiting their turn in the arena.  I made a scavenger hunt and a trivia game and gave out copies of the then just-released DVD as prizes, and one girl was so excited she’d won it that she squealed.  I kept them so friggin’ busy that they didn’t have a chance to misbehave, and I got a TON of adult volunteers to help me run all of it.  For me it was key to have my friends help, and not my coworkers, because I knew I needed people with a high teen tolerance level.  As soon as they saw the Hunger Games font on the invitation the teens started to get REALLY excited about the party.  Total attendance?  216.  TWO HUNDRED AND SIXTEEN TEENAGERS AT ONE PROGRAM.

Don’t be discouraged by humble beginnings.  Don’t start out thinking that this wouldn’t work at your library.  I never thought that the attendance at a wrap-up party two summers after that first one would have been the same as the total participation in 2010.  I’m not special, I’m not anybody you’ve heard of, and I’m not a mover or a shaker.  But I’m on the front lines, talking to teens, throwing programs and hoping they come over and over and over again until they do.   Start now, keep it up all year, and they’ll come to your SRP.   If you asked me what I’ve done to build the relationships with my teens that I have, I’d say, “Eighteen programs this month” and then probably eat a Kit Kat.

Read more about Sarah’s programs and teenbrarian philosophy at teenbrarian.blogspot.com

Eat or Be Eaten: A Disturbing Storytime for the Older Child

I’m reading aloud to a group of fifth graders soon, and I knew I wanted to start off with one of my sure fire hits, Gobble Gobble Slip Slop by Meilo So. I’ve read this book with all ages and the repetition, gross out factor, and beautiful illustrations win everyone over. The fat, greedy cat who gets his painful comeuppance really strikes a chord with kids, and the the cries of “OH NO! He can’t eat THAT!” as the cat’s snacks get progressively larger are a sure sign that kids are having a great time, even as they squirm in horror.

Then I started thinking...I Want My Hat Back by Jon Klassen has the same appeal. Quirky, funny, and with a disturbing “Did he or didn’t he?” ending to it.

Which led me to my third and final book to read aloud, Beware of the Frog by William Bee. This tale involves a frog, an adorable old lady, some hilariously creepy fantasy creatures with catchphrases like “Nickerty noo”, and a surprise ending that is guaranteed to delight and disturb in equal measure.

Since this is a read aloud for older kids, in between the books I’ll have some conversation about what we just read. At the end, I’ll encourage to write their own tales, involving questionable dietary choices, ambiguous endings, and the like.

Are there any titles you’d add? And what do you read aloud to kids in 5th grade?

September, I remember

September, how did you get here so fast? Oh, yeah, summer reading (Ingrid breaks it down for you, animated gifs and all). And, oh, yeah, I have a new job (which makes another Ingrid link relevant).

I’m going from being a storytime all the time librarian to a school services coordinator librarian. It’s been hard to say goodbye to a community I’ve served for four years, but it’s an exciting opportunity, and I’m really looking forward to all the new duties, challenges and experiences ahead of me.

Since the playdough post was so popular, I wanted to pass on these links with more ideas: Garden Playdough from Bakers & Astronauts and Playdough Power from NAEYC

How was your summer? And what are you looking forward to this fall?

Play @ your library: Playdough Party

Want to have one of the most successful library programs ever? Make playdough.

We did this program with 3-8 year olds, but I can see this working with even older kids, up through middle school–it’s all how you market it. It’s a great program to do at the library because, sadly, I think a lot of kids don’t get to engage in messy play at home because parents don’t want to face the clean-up.

Before we made the playdough we retold the story of Goldilocks and the Three Bears with finger puppets because the story uses a lot of descriptive vocabulary–hot, cold, slow, fast, hard, soft—and I thought it was a fun way to launch into the program.

We made the following three recipes, making sure to talk about different textures, scents, temperatures, and other properties. Then we let the kids spend a lot of time playing and building, and allowed them to take home as much playdough as they wanted. We also printed out the recipes for parents to take home if they chose.

(I found the recipes at prekinders.com, which is my new favorite website. There are many more recipes up there, so choose your favorite.)

Kool-Aid Play Dough

2 cups flour
1 cup salt
1 package of Kool-Aid
1 cup hot water
Combine ingredients and mix.

Coffee Play Dough

2 cups used coffee grounds
1 and 1/2 cups cornmeal
1/2 cup salt
water
flour
Mix all ingredients until pliable. Add water, flour as needed to achieve a working consistency.

Oatmeal Play Dough

1 part flour
1 part water
2 parts oatmeal
Mix well and knead

Read more: http://prekinders.com/play-dough-recipes/#ixzz20Ka4QwZv

Review: It’s a Tiger!

It's a Tiger!
It’s a Tiger! by David LaRochelle
My rating: 5 of 5 stars

Fans of Grumpy Bird will love the Tankard illustrations in this new picture book, which easily pairs with classics such as Head to Toe, I Went Walking, Brown Bear Brown Bear, Going on a Bear Hunt, or Walking in the Jungle.

The bold illustrations and clear, dynamic text make this book perfect for storytime. Toddlers and preschoolers alike can RUN from the tiger, climb the ladder to make an escape, tip-toe past snakes, and jump into a flower bed (that is hiding tiger that they must run from).

This book is a perfect fit for my Mini Movers storytime, so if you do a similar program, be sure to add this title into the mix!

It’s a Tiger! will be released July 18th. Review copy graciously provided by the publisher.

View all my reviews

The Cockroach Approach: Doughnuts, an interlude

I posted this quote by John Green on my facebook timeline the other day:

“Adult librarians are like lazy bakers: their patrons want a jelly doughnut, so they give them a jelly doughnut. Children’s librarians are ambitious bakers: ‘You like the jelly doughnut? I’ll get you a jelly doughnut. But you should try my cruller, too. My cruller is gonna blow your mind, kid.”
― John Green

And seeing as I am friends with many a type of librarian, several adult services librarians I know became really defensive. I can see why. I’m sure there are many adult librarians who offer up crullers, long johns, muffins, and perhaps even hash brownies– but here’s the thing: you’re not seen that way, adult librarians. Your message isn’t being heard. Which is what I’m trying to get at with these posts.

If authors who are library advocates don’t comprehend your value, and other librarians such as myself aren’t sure of what you’re doing, then what are the chances that the public knows?

I’m not trying to anger people, but I am trying to provoke and inspire.

So adult librarians: tell me about your crullers. I dare you.