Book Talkin’

(You need to sing the title of this post to the tune of “Jive Talkin’”)

via the new york city public library's flickr page

via the new york city public library’s flickr page

As the school year draws rapidly to a close (seriously, where did it go?) I’ve been reflecting on my first year as a school outreach librarian. I can’t tell you how invigorating it has been to use different skills and get to try new things with a wide variety of audiences. One of my favorite programs this year was all of the booktalks I did for middle schoolers (6th-8th grade) and teachers. In my previous six years as a librarian, I had done very few book talks. It was something I really wanted to do, but it just never happened in previous positions.

I was extremely lucky that I started out this school year being invited to book talk first to two groups of teachers, one elementary and one middle school. After getting to see me and my colleague book talk, teachers had a sense of who I was, how I behaved, and liked me enough to want to have me get up in front of their students. This was a great break for me, and once one class had me and my coworker in, all of the rest of them wanted us, too.

This year I averaged about two book talks a month, usually spending an entire school day (8 a.m.-2 p.m.) talking to multiple classes. Often I was solo, but several times I was lucky enough to be joined by members of our teen staff. While I can do these book talks alone, six hours of booktalking is a long time, and even with a partner I’m exhausted by the end of the day. I vastly prefer booktalking as a team for two major reasons (other than the fact that it helps to save your voice):

1) Variety. With two readers sharing books, the kids will get a wider variety than from one person alone. While I am very careful to select a variety of books, there are certain genres and topics I just can’t muster much enthusiasm for. I can fake it, sure, but why do that when a coworker is just nuts about the books I’m lukewarm about? While I’m pretty good at selling any book, kids can tell the difference between my genuine enthusiasm and the enthusiasm I put on for their sake.

2) Attachment Librarianing. This is something I carried over from my preschool teaching days, and I think it really applies to librarianship. Kids and teens are all unique, and not every personality is going to have a great fit with every kid or teen out there. For example, I quickly bond with shy, nerdy, awkward kids and teens (I try to find the Whovians in every middle school class as fast as I can). Other kids like me just fine, and I can and love to help everyone, but the geeky kids are more likely to seek me out and will get better recommendations from me, just because we’re so simpatico. With more staff available, more kids are likely to find the librarian whose style and personality speaks to them, which equals better service.

For me, booktalks are a lot like storytimes for older kids. While I don’t reveal endings or major plot points when I book talk, I do tell a story to get kids invested and interested. A lot of times I will use the theme of a novel or a hook from a nonfiction title to riff for a while. Just call me the wholesome Richard Pryor of librarianship. For example, when I booktalk Fourmile by Watt Key, I spend a lot of time talking with kids about PTSD, the stigma of mental illness in our culture, how we treat our soldiers, and why so many books for kids feature dead dogs (seriously!). When I talk about Almost Astronauts, I tell them the anecdote about Jerrie Cobb shattering all isolation booth records (NINE HOURS AND FORTY MINUTES Y’ALL), yet never getting the chance to be an astronaut. From there, I talk a bit about how women are seen in our culture and how we are treated.

My style is a little unconventional, I suppose, but it works for me, and it works for many of the kids I booktalk to. And that’s the important thing, I think–is to find your own personal style, your voice. That’s what will make your book talks exciting and get the kids interested in reading the books you’re pushing.

And what books do I push? It depends. If a teacher is working on a genre study, I’ll bring titles in that genre. Often I like to do a mixture of fiction and nonfiction, new books and backlist. I try to have books at a wide variety of reading levels with a variety of appeal factors. Most of all, I strive to bring books that I’ve read completely and have a component that I am super, super excited about. Even if I didn’t personally love the book, if there’s a crazy character or fascinating setting that I can see kids being interested in, I’ll definitely book talk that sucker.

So that’s just a little bit about my new favorite professional responsibility. What about you–do you book talk? What’s your style? Any favorite titles?

ego, thy name is librarianship

cc license photo by flickr use r zoonabar

cc license photo by flickr use r zoonabar

Anyone who knows me will tell you that I have a bit of an attention problem. No, not attention deficit– I have a need to be, if not the center of attention, at least left of center. Even though I am an introvert at heart who needs significant alone time to recharge and prepare, I am actually happiest when I am in front of a crowd. I meet this need for attention in many ways–by working in an area of librarianship that demands that I present storytimes and other programs, by being a performing songwriter on my personal time, by writing this blog. Often these endeavors are satisfying enough in themselves, but sometimes–during dark, lonely afternoons as I type up program plans, or ponder what to write about next on the blog–I crave even more attention, but I don’t know how to get it.

Doesn’t this all sound awfully conceited? I know. It does. But I’m nothing if not honest, so yes, I’ll admit to thinking I am awesome. I think I do excellent work, and have unique contributions to make, even though I don’t have a slogan or a hashtag or a large, slavish following. Sometimes I wonder if I were a man, writing about ebooks, if I’d get more attention. But since I am a lady writing mostly about playdough and early literacy, decidedly unsexy topics in librarianship (and when did “sexy” begin to equal “intriguing” or “worthwhile” or “interesting”?) I have a decidedly smaller circle of admirers and colleagues, most of whom are my fellow unsung heroes of the library world. As a children’s librarian, if you write more about how you use books with children than you do about the books and authors themselves, you don’t get as much notice.

Perhaps it is just my sensitive ego at work, but I feel like the librarian bloggers who work with children and teens and who write primarily about programs don’t get the recognition they deserve. Storytime blogs such as So Tomorrow, Awesome Storytime, Mel’s Desk, Playing by the Book, Tiny Tips for Library Fun, Bryce Don’t Play, and Storytiming provide real, concrete advice for creating worthwhile programming, which should be the bread and butter of libraries. If all of us wrote more book reviews and less about the programs we created using those books, or why we create the programs we do, perhaps we’d get more notice. If we blogged about hot button topics like e-books for babies or stripping our children’s departments down to look like futuristic lunchrooms filled with ipads, perhaps we’d get a ton of traffic. But we don’t. We write about our quiet successes and failures, about the simple craft of creating a flannel story, about what rhymes will fit with certain themes, and when we do review books, it’s always with an eye to How will I use this with a group of children? When we get dressed for work, it’s always with a thought about how easily we’ll be able to get up and down from the floor during storytime, and whether or not sweat will show if we’re doing a lot of jumping songs that day.

In a profession that’s supposedly dominated by women, I find it sad that the librarians who get the most attention are mostly men (and, admittedly, some women), men who very rarely write about honest, simple, day to day issues in librarianship (Swiss Army Librarian being a rare exception, with his marvelous ref questions of the week). These men spin elaborate fantasies about librarians being information rockstars who dress to impress (either flashily or with an eye to ironic hipsterism), dismiss librarians who still use books to connect with patrons as hopelessly backwards, and come up with gimmick after gimmick to get libraries “noticed” without ever once writing about a concrete, applicable thing that they have actually done. Show me how libraries and librarians are amazing, don’t just tell me and expect me to be convinced.

I’m on very precarious ground as I write this, because honestly, my main motivation is that I am sad that I am not more recognized. [I really regret this sentence right now! While I, personally, do want to be recognized, more than that I want my tribe--kid and teen librarians who work so damn hard with little to no recognition in the wider library world--to be noticed and appreciated. Which they might be. I'll admit to not being able to read everything ever printed about libraries. JJ 01/16] I want to be noticed. I want people to listen to what I have to say. I want to be offered speaking engagements, to have a larger platform to  discuss my ideas of how to better librarianship, to be valued. I want to win awards. I crave approval and recognition, and yet, to paraphrase Lillian Hellman, I cannot and will not cut my librarianship to fit this year’s fashion. I don’t particularly care about e-books, only that I wish we could give our patrons what they want. I don’t particularly want to shove ipads into the faces of babies and toddlers because I still believe screen time is ultimately damaging. I don’t really care to have the perception of librarians go from shushing bun heads to strutting pimps. (I think Frank Zappa* is a better rock star librarian model than any rapper, but that’s just me. Like Frank, I believe in free speech, showmanship, and being a decent human being. Like Frank, I think you can push the envelope of expression without being hateful to women.) I like books, and I believe librarianship is about books, if you stop and think about how books equal stories, and it doesn’t matter what goddamn container they come in, be it paper, digital, audio, or a film or a video game. Stories are what people crave, and stories (like the storycorp partnership with libraries, or the not so new resurgence of reading aloud to adults–and adult librarians, if you need help on reading aloud, you know who to ask) are what libraries have and always will do best.

So next time you need a keynote speaker, perhaps consider one of us librarians who spend most of our time on the floor–often literally. Our subject matter might not be “sexy”, but we know how to tell a damn good story.

*”If you want to get laid, go to college. If you want an education, go to the library.” – Frank Zappa

let’s stop worrying and love the common core

You’ll live to be read another day, sweet Catcher in the Rye. Beautiful illustration by naomi yamada.

Dear sweet baby Jane.

So if you want a rage stroke, read the articles I’ve listed below. If you want to just read an accurate description of how the fiction/nonfiction actually breaks down in the Common Core, just read this one.

I think the way everyone (yes, LITERALLY* EVERYONE EVER) was misquoting the 70% figure and assiduously babycrying about Recommended Levels of Insulation being an exemplary text (which it IS, for INFORMATIONAL TEXTS, not LITERATURE) really shows us that our ability to read different types of text SUCKS.

Listen. I think the common core probably has flaws, but I don’t care, because it has at least one major strength: knocking lexile off its perch as the definitive way we give kids books to read.

See, a major component of CC is text complexity. This concept forces us (us referring to teachers, parents, and librarians, mostly) to consider a whole text when we’re deciding when to read it and who to read it with. (I love this mostly because it reminds me a lot of the whole child approach to teaching). Lexile is only one piece of the puzzle. It must be used in conjunction with theme, levels of meaning, structure, prior knowledge demands, etc, to decide where a piece of writing would best be used. (I’d never be able to explain it better than Jackie Owens did in this presentation, so if you want to see how to evaluate a text, check that out, bookmark it, print it out and laminate it–it’s an excellent tool to use.)

The idea is that we want to empower kids to be stronger, more well-rounded readers. We want them to be exposed to a wealth and breadth of reading materials so that they can discover their talents and passions. You know that some kid is going to geek out intensely on that insulation text (well maybe not, but don’t we all know kids who pore over game manuals who could easily and happily make the leap to, say, car repair texts? or mortgage applications?), and who are we to deny that kid that opportunity?

Being able to adjust one’s reading style to the text at hand is an important skill, and one that we’re sorely lacking. You don’t read a verse novel the same way you read your tax form, and if we don’t teach kids that, we’re setting them up for failure. Maybe if more kids knew that it was okay to skim the boring parts of a novel (hello, flensing in Moby Dick and architecture in The Hunchback of Notre Dame) they’d be more able to stick with a difficult novel and get out of it what they could. Further, if we read more informational and technical texts, maybe we’d have been better able to avoid some of the effects of the financial crisis because it wouldn’t have been so damn difficult to read and understand loan documents and mortgage applications.

So teachers, don’t worry, you can keep teaching The Catcher in Rye (shudder) until they pry Holden Caulfield’s literary corpse out of your cold dead hands. But you can also spend a little time reading biographies of some of the famous people mentioned in the text (such as Gary Grant, or the Lunts, perhaps, although I can see many a middle schooler having a field day with that name), or looking at articles of the period from the Saturday Evening Post. CC isn’t about taking anything away, it’s about adding supporting materials to deepen and enrich the experience of reading.

It’s also a great opportunity to insist that literacy isn’t solely the responsibility of the LA teachers and librarians any more. Read a novel in math class (Alice in Wonderland and The Phantom Tollbooth both lend themselves wonderfully to big, beautiful, crazy making math discussions), or read Silent Spring in biology class. I read Silent Spring in biology class when I was in high school, and it’s pretty much the only damn thing I really remember, frankly. For kids who aren’t technically minded, having stories to hang these concepts on is a wonderful scaffolding and support technique. And for kids who love to crunch numbers and muck about with beakers, being exposed to the lyricism of Rachel Carson’s prose or the sheer goofiness of Milo’s adventures will remind them of the human element inherent in every discipline, no matter how far removed it may seem.

SO FRET NOT FRIENDS. The world of literature for children has expanded, not contracted; there is a bounty out there, with something for everyone. Rejoice.

AND DING DONG LEXILE’S DEAD. Or, at least, not so very powerful.

Now I want a ding dong. Or actually, a zinger.

*Chris Trager style

How To Do it Right

Two Common Core Blunders To Avoid–and How to Do It

The Role of Fiction in the High School English Language Arts Classroom

How to measure text complexity

Common Core and Nonfiction, Again

Rage Stroke Articles

Common Core Nonfiction Reading Standards Mark The End Of Literature, English Teachers Say

English Class: Hold the Literature?

Catcher in the Rye dropped from US school curriculum

 

Review: The Lions of Little Rock

The Lions of Little Rock
The Lions of Little Rock by Kristin Levine
My rating: 5 of 5 stars

I don’t cry at books. It’s happened only a couple of times. I’m much more likely to cry at television or movies, mostly because of the added manipulation of the music and cinematography. For a book to elicit such a reaction, it has to be darn powerful.

From the goodreads summary:

“Twelve-year-old Marlee doesn’t have many friends until she meets Liz, the new girl at school. Liz is bold and brave, and always knows the right thing to say, especially to Sally, the resident mean girl. Liz even helps Marlee overcome her greatest fear – speaking, which Marlee never does outside her family.

But then Liz is gone, replaced by the rumor that she was a Negro girl passing as white. But Marlee decides that doesn’t matter. Liz is her best friend. And to stay friends, Marlee and Liz are willing to take on integration and the dangers their friendship could bring to both their families.”

This is a book, above all, about ethical courage, a topic that is near and dear to my heart. It is a book about speaking up for what you believe in and what is right. It is a book about taking risks, being true to one’s self, and finding one’s place in the world.

I loved that the author, Kristin Levine, was brave enough to use accurate language in this historical novel. I’ve called out other authors for dropping the ball on this issue, and I appreciate that Kristin used the accurate terms and epithets, not because I like those terms, but because using them is important to the story, and the cumulative effect of those terms and this narrative is what, ultimately, had me crying at various points in the story.

This story isn’t only important when studying history, but in this time of “binders full of women”, it also serves as a springboard to talk about who is qualified or entitled to do what, and why. Marlee is a whiz at math, and wants to grow up to build rockets (which reminded me of the most excellent play Flyer by Kate Aspengren, read it), but will she get the chance since she is a girl?

As an accessible description of an important historical period, a beautifully rendered tale of friendship, and an issues novel that provokes discussion, this book succeeds on all counts, and is highly recommended.

Boundtrack suggestions: Fables of Faubus by Mingus, That’ll be the Day by Buddy Holly.

View all my reviews

Eat or Be Eaten: A Disturbing Storytime for the Older Child

I’m reading aloud to a group of fifth graders soon, and I knew I wanted to start off with one of my sure fire hits, Gobble Gobble Slip Slop by Meilo So. I’ve read this book with all ages and the repetition, gross out factor, and beautiful illustrations win everyone over. The fat, greedy cat who gets his painful comeuppance really strikes a chord with kids, and the the cries of “OH NO! He can’t eat THAT!” as the cat’s snacks get progressively larger are a sure sign that kids are having a great time, even as they squirm in horror.

Then I started thinking...I Want My Hat Back by Jon Klassen has the same appeal. Quirky, funny, and with a disturbing “Did he or didn’t he?” ending to it.

Which led me to my third and final book to read aloud, Beware of the Frog by William Bee. This tale involves a frog, an adorable old lady, some hilariously creepy fantasy creatures with catchphrases like “Nickerty noo”, and a surprise ending that is guaranteed to delight and disturb in equal measure.

Since this is a read aloud for older kids, in between the books I’ll have some conversation about what we just read. At the end, I’ll encourage to write their own tales, involving questionable dietary choices, ambiguous endings, and the like.

Are there any titles you’d add? And what do you read aloud to kids in 5th grade?

you know what this is about. or you don’t.

You know, some librarians think the ARC issue is a waste of time, and others don’t. For my part, I don’t care to know much about cataloging beyond the surface basics, but I do appreciate the cataloging nerds who are really into it and keep it going and tell the rest about the most salient points.

It’s the same thing with the ARC situation. Not every librarian has the same passions, but as a whole profession we keep each other informed about a broad range of topics, and learn from each other.

Dismissing someone’s passions as invalid doesn’t do anyone any good.We all have different areas of expertise and passion, and we need to respect those. That’s the only way we can pull together, help each other, and move librarianship forward.

If you don’t care, don’t comment. If you do care, contribute. And also: don’t be a dick.

Boundtracks: Pete the Cat and “New Shoes”

Oh, Pete the Cat! I can practically recite you from memory, and there isn’t a group of kids and adults in existence who aren’t magically swept up in your bouncy tale of sloppy shoes. (Although some more savvy color mixers insist that first your shoes should turn pink then purple but I call it a quick charming lesson in suspension of disbelief.)

As I await the arrival of Four Groovy Buttons (having not been terribly impressed with Rockin In My School Shoes, ymmv), I’ve been revisiting the original Pete the Cat, and during my commute this morning I thought that Paolo’s song “New Shoes” would be a great pairing (ha! pairing! shoes! ahem) during a storytime. You could have the kids just get up and dance, or if they need a bit more encouragement, pass out shakers or dancing scarves to help them find the groove.

Videos:

 

Beginning Reader Storytime, Art Adventure: The Final Countdown

So now the kids have their backgrounds and their characters.

Then they just had to glue them down and voila! Their very own Eric Carle-esque creations!

Has anyone else managed to do a long term author/illustrator based program like this one? Ours went off pretty well; for those with attendance concerns, this is a registered program and we did stress that regular attendance was important, but for kids who missed some sessions we just caught them up as best we could, and no one seemed the worse for it.

If you’re interested in my Beginning Readers Storytimes, I’ve begun collecting them under their very own category, so they should be much easier to find.

Sharing A Wrinkle In Time

Click through to see the facebook page for A Wrinkle in Time.

My love of A Wrinkle In Time has been documented before on this blog, and because I love it so much, it is one of those books that I can’t share lightly, and I have to be careful not to put it in the hands of a reader who isn’t ready for it. Usually when I suggest books to kids, it doesn’t hurt my feelings if they decide they don’t want it, but if a kid were to reject Wrinkle, I’d be ineffably sad. (I was recently talking with a parent whose daughter was reading A Wrinkle In Time for a school assignment, and struggling with reading it. I wasn’t sure what to tell her. Every book its reader, and every reader its book; perhaps, sad though it sounds, she just wasn’t one of this book’s many and ardent readers.)

But I have to do something to celebrate this book’s 50th anniversary, so I’m going to throw a big book party. I’m looking to have an event in the fall, maybe October or November, so that the chance of somewhat dark and stormy weather will be increased. I’m thinking this will definitely be a family/all ages event, because I am sure there are some parents and grandparents out there who have some warm feelings about this book.

There will definitely have to be a buffet of all of the different kinds of sandwiches that the Murrays eat in the beginning of the book, and some hot chocolate. I also think having my fellow librarians and volunteers dress in costume as various characters would add a lot of fun to the event.

I want to booktalk Wrinkle and a bunch of L’Engle’s other books, and of course read aloud that first amazing chapter. We could also tie in When You Reach Me, which, as a contemporary Newbery winner, might pull in additional readers to the story. We’ll also booktalk other great fantasy and science fiction titles for kids.

How will you be celebrating the anniversary of this wonderful book?

My other posts about Wrinkle: It was a Dark and Stormy Night and How it All Began.

Read what other bloggers are saying about A Wrinkle in Time.

top 11 posts of 2011

When I first started this blog, I had no grand aspirations. I am passionate about the library field, child development, and children’s literature, and I wanted to have a place to express my thoughts, and I hoped that I would garner at least a dedicated, engaged readership. Fairly early on, I experienced the Elizabeth Bird bump, and for that I’ve always been grateful. I appreciate my twitter friends for all their conversation and ideas, and frankly, without them I probably wouldn’t be writing much at all.

Looking at my top posts, I realize that people love it when I write about things that a lot of librarians are probably thinking but are too scared to talk about, and my programs for children. I’m going to make an effort to write more about these topics in 2012, and also write more from the gut and the heart, no matter what the topic (my angsty review of Ingenue being an example of this new goal).

Thank you to all my readers for commenting, emailing my posts to your colleagues, and generally being awesome. Let’s do more of this in 2012.

top posts (excluding static pages):

11. Meow Mix. I think this is solely because of the cat picture, although I think my cat who doesn’t know how to meow storytime through line is pretty awesome.

10. Make it Happen: Teen Space. Pretty much an airing of grievances post that also allowed me to congratulate and laud a fellow librarian. Now complete with a comment I didn’t initially approve because it’s super negative, but hey, whatevs. Different strokes for different folks.

9. New Storytime Favorites. Why is this so popular? I dunno. Probably because I mention cats and I’m a librarian. The cat/librarian diagram is so venn it’s almost just a circle.

8. Tales of the Madman Underground: A Love Letter. This was a very personal post and book review, and I almost didn’t publish it. But this book is amazing and I think that librarians—much like teachers—need to fight for the right to be real, flawed, human people with pasts and problems like any other people. Just because we work with children doesn’t mean we’re all Mary Poppins, and we shouldn’t be punished for being real people. But seriously, read that book.

7. The Ethical Librarian. This one is me totally ranting and raving on my high horse while my horse is standing on a soapbox. You might as well call me the Bughouse Square librarian. I took an information ethics class in library school, one of the few actually challenging courses I took, and it ruined me forever. You’re welcome.

6. #makeitbetter. I just hate bad librarians. Sorry if you’re one of them.

5. You might not being doing it wrong, but you could certainly do it better. Ah, my screed against library schools. I might not get so worked up if I weren’t $50,000 in debt, but that ship’s sailed, huh? Good times. And by good times I mean kill me.

4. Librarian, Weed Thyself! Wherein I apply the CREW and MUSTIE methods to people. I am a monster. A pudgy, cuddly, hyberpolic monster.

3. Beginning Reader Storytime. A warm and fuzzy post about how I revamped my library’s preschool storytime. How…charming.

2. How to Become the Best, Most Versatile Baby & Toddler Programmer Ever. Babies and toddlers are tricky audiences.

And, unsurprisingly, the number one post of 2011 is…

1.  Summer Reading, Pain in my a**. So many people enjoyed my rants about the sacred cow of summer reading, which really pleased me. I love when people reassess long running programs with a fresh eye. Can’t wait to see what people do with their 2012 summer reading programs.

Happy new year, everyone!

Love,

Miss Julie